On
September 22 the Rosary of Aurora (La Rosario de la Aurora) was held
in Tomares, in the metropolitan area of Seville. The statue of Our Lady of Sorrows (La Virgen de los
Dolores) was carried in procession through the town to the Parish
Church of Our Lady of Bethlehem
(La Iglesia Parroquia de Nuestra Señora de Belén) for the pleasure
and enjoyment of the members of the congregation, the penitents
of the Sacramental Brotherhood of Tomares (La Hermandad Sacramental de Tomares) and the guests.
Our Lady of Sorrows of the Parish Church of Tomares. Photo by José Manzano
The Hail Mary Prayer (Dios
te salve, María) was breathtakingly sung by all present:
Hail
Mary,
Full
of Grace,
The
Lord is with thee.
Blessed
art thou among women,
and
blessed is the fruit
of
thy womb, Jesus.
Holy
Mary,
Mother
of God,
pray
for us sinners now,
and
at the hour of death.
Amen.
And it was very solemn and beautiful, as all the processions tend to be in
Tomares, in fact. Watch the video by José
Javier
Comas Rodríguez here and see for yourself!
Holy Week in Seville (Semana Santa de Sevilla) is probably one of the most extraordinary
celebrations in the Christian world, which explains why it attracts
both national and international media attention (see an illustrative
news item) and brings together that many religious people and
unreligious rubbernecks from Spain and abroad: there are estimably
around 3 million people in Seville during that time of the year.
How
come that they have developed such a celebration?
To
start with, the Holy Week processions are prepared and staged by
religious brotherhoods, which are exclusively male. During
these
processions
they carry,
in true unity, huge
images
of
Christ
and
the
Virgin,
called
pasos,
through
the
streets
of
Seville,
the saint's image
being their most important ritual object.
From there, Dutch anthropologist Prof. Dr. Henk Driessen
(University of Nijmegen) points out that the Holy Week in Seville is
above all a high time of male sociability. According to him (see the
references), religious brotherhoods were historically organised along
class lines. American anthropologist Prof. Dr. David D. Gilmore
(Stony Brook University) brings the same to attention: he has also
found that the only people who joined the brotherhoods back then in
the 70s (at the time of his stay in Spain) were members of the wealthiest class (one per cent of the
population of the area studied).
These
days money and status are not even an issue anymore. Men keep
joining the brotherhoods and Seville keeps celebrating Holy Week in
its characteristic way. I asked myself, since when? Now I sort of
know. Musicologists Corinna Kramer and Leo J. Plenckers,
who have
studied saetas,
rhythmically free
flamenco
songs that deal
with
suffering
of
Christ
or
the
grief
of
his
mother
Mary
performed
in
the
religious
processions
held
in
Andalusian towns
during
Holy
Week, argue
that the
tradition
of
singing
saetas
in
front
of
an
image
existed
already
in
the
nineteenth
century,
but
the
tradition
of
carring
images
in
Holy
week
processions
may
be
much
older.
So, it dates back to
centuries.
Example
of a saeta
In
any case, these brotherhoods are activated only once during the year
for Holy Week. Many nazarenos nowadays are not even religious.
They pay their share, practice for the synchronised
movements of the pasos, are there for Holy Week, and that's
more or less it. But it's not by far insignificant as this is the
intensest period imaginable. It's a hell of a contribution to their
brotherhoods, families and society in general. Driessen says that
fireworks, the monotonous rolling of the drums, the excessive
drinking during processions, sleeplessness, the carrying of the heavy
floats through the winding and inclined streets, hoarse competitive
shouts like "Long live Verónica" (those of El Valle),
or "La Soledad is the best" dramatise the atmosphere
of the celebrations. The downside to all this extremity is that the
processions often end in chaos. The men all worn out. But look, it's
highly significant that women are part of the audience, proudly
watching their husbands, fathers, sons, brothers and fiancés act out
their masculine role. It's a men's thing, unquestionably.
Men
start acting an expected role when being very young. They go to
football practice for not being considered gays by others. They join
adult men with 5 years or less only, wearing a super cute mini
version of nazareno's robe for participating in processions.
They
have to be sociable, witty and amusing, with gracia (funny, with
ease). Cachondeo, a particular type of joking, is very popular
among Andalusian men, most seen in the streets, bars and cafés. The
initiator of the joke tries to get a rise out of his victim. It is
important for the victim to keep his face, withstand the jest, and
strike back in a cool manner. They then stop at nothing in making an
out of line joke (broma pesa). A man who looses his temper is
despised by the audience. It doesn't have much to do with Semana Santa, but with being a man in Seville. It's all the same in the end. All about social norms.
The famous Semana Santa de Sevilla, the much-discussed must-see! What is it like? The avoid-like-the-plague instead? Well, it is a large-scale long-lasting mass event that brings millions of people together to share the city streets, so it has its cons of course. I haven't taken part in all of it. I
went to see a procession of the Brotherhood of La Pasión
(Passion) at the Collegiate Church El Salvador in Seville on Holy
Thursday (Jueves Santo). La Pasión is quite a noble fellowship in fact, it was founded in 1531.
El Salvador
The procession of La Pasión started to march out
of the church at 8.30 PM and was expected to be back around 1.00 AM.
Thus, a short one. Note that the moment the procession started all the people gathered in El Salvador Square (Plaza del Salvador) remained silent. Not a sound was made, not one single sound amongst the countless gathered bodies. In
2013 this brotherhoodheld
the Holy Thursday procession in the participation of 1100Nazarenes
(nazarenos),
penitents,
clothed in black
tail with black hood (capirote) and yellow straw belt. Some
of them may have been barefoot, but I didn't see whether or not they
were. What I did see was that many were marching with at least one 10-kilo woodencross on their shoulders.
Capirotes of El Calvario, similar to those of La Pasión
In any case, this
brotherhoodhad
two images: Jesus with the cross on his shoulder and Virgin of Mercy (Virgen
de la Merced)
accompanied
on the left by St. John the Evangelist. No
music was
played while marching with Jesus, and
for
moving the
Virgin,
a typical
tune
in a minor keywas
performed
by aband: on
cornets
and drums before
and on
more
instruments after her.
The paso of Jesus
Close-up of Virgen de la Merced
One
must see that
Holy
Week is the highlight of the year for every
true Nazarene,
taking part in the
movement of the floats (pasos)
of
his
brotherhood through
the city streets. The
entire thing is like 3D version of the Stations of the Cross. The
pasos
are
carried on the shoulders of costaleros,
probably
up to 50
men,
all of the same height, working as a team to keep going for nearly
five
continuous hours. The costaleros
work
in shifts (cuadrillas)
and since they cannot see what is going on outside (nor can you see
them), they follow the instructions of the leader of the paso
(capataz).
Everything
on the floating
structures (canastillas)
to display
religious imagery moving
it out of the church most
certainly has a special meaning (lanterns
in the corners etc.).
The paso of the Virgin
El
Salvador itself is a big church, being home to two more brotherhoods
(hermandades):
El
Amor
and La
Borriquita.
They
have other imagery and other everything. Their
processions were
held on Palm Sunday, opening the Holy Week. It's actually a science to know what to see, when to go, where to go and how to get there, as the city is overcrowded during the whole week, but there are some guiding materials designed for public use. Information
about the itinerary of all the pasos
is available both on paper and on the Internet. One can download it
as a pdf-file, and also, luckily for smart phone users, as a free
app called iLlamador.
In
case my description still isn't clear enough, there
is a
1992
documentary
worth watching about Semana
Santa directed by Manuel Gutiérrez Aragón, as
stated by Manuel Trenzado Romero, professor
(Political Science and Public Administration) at the University of
Granada (see the
references). You
can read more about the film (in Spanish only) here and see it on YouTube.